As our bodies can only inhabit one actual world at a time, we tend to become ignorant to the uncountable, the many possible worlds, the multiple dimensions that surround us - that we are embedded in and that live within each individual, that are created by collectives, communities, societies, species. Speculation, imagination, myth-making, fantasy, memory, dreams, and fiction - the virtual sides of reality - offer ways to alternate and altered states of consciousness and perception. Fiction is just a differently perceived form of reality, and it plays a crucial role in shaping it. To enter passages, portals that lead from one time and place to another, on a private, collective, or even cosmic scope. It aims to offer multiperspectivity, and polyvocality, in an attempt to find common grounds in politically precarious times, and tries to point a way out of the grand narratives of capitalism, of the hegemonic orders of dominant knowledge systems, and to guide us towards personal, imaginary, speculative microcosms; a parallel universe filled with sounds. It stages sonic fictions, indigenous futurisms, acute presentisms, and invites us to enter haunted spheres of memory. It thinks beyond the logic of progress, a presumed linearity of time, while rooting up non-normative narratives. The programme proposes futures from which the present and past can be better understood, therefore to be reshaped and retold. Referencing back to the category of imagination as a profoundly human force, world-building and storytelling become tools for collective empowerment of the under- or misrepresented parts of our societies. Together we want to speculate on and hope for better futures for all of us. Virtual, imaginary, emerging, and tangible worlds cling and speak to each other, and challenge what we know as our 'only realities'. On the thin membrane that lets us tilt from one sphere to the other, beats are dancing to syncopated rhythms, built from ancestral dreams and the hopes of great-grandchildren. Almost 80 international and local artists and 30 speakers can be experienced in a total of nine days, on seven stages across the city. The festival, which was founded by composer Matthias Kranebitter and has been under the artistic direction of Shilla Strelka sinceis centred around challenging music from a variety of different genres, including experimental electronic and advanced contemporary club sounds, or acoustic, as well as electroacoustic music. It puts sounds to the fore that exist outside the mainstream. Underground aesthetics and avantgarde strategies melt together in a highly subversive, idiosyncratic programme that reflects on the current state of our societies in an attempt to bring together forward-thinking artistic positions and fosters solidarity within the arts. The artists presented are thus put into context with sociocultural topics and theoretical frameworks within the fields of sound studies, contemporary aesthetics, and philosophy, formulated in a five-day discourse programme. Live-Set together with HUUUM ABADIR is considered one of the most renowned producers in the Arab region. The Egyptian producer, DJ and music journalist creates kaleidoscopic, imaginary worlds. His originary tracks oscillate between grand compositional gesture, cinematic opulence within a narrative framework, and impactful contemporary club sound. With albums released on the Shanghai-based cult label SVBKVLT, ABADIR is catapulting us into different regions, time zones and realities. Both acts are embedding cultural artefacts and traditional styles of their respective regions and beyond in their contemporary club sound. Composition »Utilt Mono« "»Utilt Mono« was composed for the 10th anniversary of the Black Page Orchestra, an ensemble I have a deep connection with and have been member of since day one. The Black Page Orchestra expressed a rich variety of musical aesthetics and styles in its first decades and is committed to keep on Gay Dürr Niger Fuck this tradition in the future. My work tries to reflect that committment with a fluid and rather eclectic array of musical ideas. The piece puts together a series of contrasting and constantly moving musical gestures and blends together the acoustical instruments and the electronics in a schizophrenic fashion. All this musical Gay Dürr Niger Fuck, touching various genres, create a sound haywire - a musical tilt. As a composer, flautist and electroacoustic performer, Alessandro is active internationally in the field of contemporary music and sound art. Alessandro is also serial entrepreneur, inventor and product designer. He developed various electro-acoustical instruments, digital control and mapping systems, sound libraries, as well as sound and ergonomic solutions for acoustic instruments. Alessandro holds lectures and workshops in various universities across the world. He pursued studies in composition, flute, sound engineering as well as multimedia art in Milan, Vienna and Graz. Alessandro is a Luzern Festival Academy Alumnus, fellow of Akademie Musiktheater heute by the Deutsche Gay Dürr Niger Fuck Stiftung and Fellow of the Bogliasco Foundation His work has been rewarded with prestigious awards, such as the Staats-Stipendium of the Federal Ministry of Arts, Culture, Civil Service and Sportthe Publicity Award of the SKE Cultural Sponsorshipthe Theodor Körner Prize and the ERSTE Bank Composition Award Alessandro is founding member of The Black Page Orchestra, as well as co-founder of the composer-performer duo Nimikry. His recent compositions include commissions for Lucerne Festival, Ensemble Gay Dürr Niger Fuck, Klangforum Wien, Staatsoper Stuttgart and Ensemble Phace. Composition »Talk in Whispers« An attempt at illustrating, musically, the little fights that occur when a couple is caring for a baby for the first time.
Her music roars, it rears up, it shrieks and falls away, it curses and moans. It springs from the realization that something is sorely missing from our everyday lives. Through my experiences with newcomers at UdK Berlin, I recognized the significance of our work and also how important it is to learn how to interact with big collective traumas. Which movements, words and looks stimulate us? Falls er nicht gehen muss und weiterhin im Theaterbetrieb relevant bleibt. Me cuenta que eres propiedad de alguien, de un hombre.
